Divorce Iranian Style
Over several weeks time, director Kim Longinotto and her co-author Ziba Mir-Hosseini filmed divorce court proceedings in Iran. The curiously tragic dramas heard by the judge are brightened by occasional moments of humor. Three women return again and again to the court in an attempt to navigate antiquated laws that treat women like property. Jamileh wants a divorce because her husband beats her. Ziba, married off at 14 to a man in his late 30's, also a wants to end her marriage. Maryam fights to get custody of her daughter. Although the laws benefit the men, these women fight on their own behalf with surprising energy. They have almost no chance at winning, but the struggle to stand up for their rights makes waves far beyond these first tentative steps toward self-determination.
Credits
Original Title: Divorce Iranian Style
Language:
Farsi with English subtitles
Country of Origin: Iran, Great Britain
Year : 1998
Duration: 80 Min.
Color
Director: Kim Longinotto, Ziba Mir-Hosseini
Script: Ziba Mir-Hosseini
Camera: Kim Longinotto
Editing: Barrie Vince
Sound: Christine Felce
Production: Twentieth Century Vixen, Channel 4, Kim Longinotto; Ziba Mir-Hosseini
Festivals: IDFA (NL), Viennale International Film Festival (AT), Visions du réel Nyon (CH) Vancouver Film Festival (CA), Marseilles Film Festival (F), Edinburgh Film Festival (UK), Sheffield Documentary Film Festival (UK)
Awards: Best Film, Viewpoint International Documentary Film Festival; BAFTA Award, Flaherty Documentary Award for TV; Silver FIPA, Biarritz international Festival of Audiovisual Programming (F); Silver Hugo Award for Best Documentary, Chicago International Film Festival (USA), FIPRESCI Award, Yamagata International Film Festival (JP), Grand Prize for Best Documentary, San Francisco Golden Gate Award (USA); Best Feature Film Documentary, Kalamata International Film Festival (GR), Honorable Mention, Jerusalem Documentary Festival (IL)
Narrated by: Joanna Rosethall
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About the Film
Observing and listening
Typical of Kim Longinotto' s work are her use of compelling film scenes without commentary that convey more to the attentive viewer than any commentary could.
For example:
Paniz, the female court reporter's young school age daughter, has spent time every day at the court since the age of two and a half months. In this scene she sits in the judge's seat after he has retired for the day. In an officious tone she slaps her hand on the table and asks for silence. She then delivers a court statement with a wisdom rivaling that of the presiding judge with all his learning. Her final question might as well be directed to the him as well as to the imaginary defendant.
Kim Longinotto and her co-author Ziba Mir-Hosseini were invited to film at an Iranian family court during hearings involving marital disputes and divorce. The court is informal and the proceedings are full of human drama that touch on everything from jealousy, betrayal and mistreatment, to child custody, money and second wives. Unlike men, women's access to divorce is extremely limited. There are very few grounds upon which a woman may petition for one. Although women are entitled to receive a gift of money when they wed, they are often forced into forfeiting this marriage fee so they can negotiate their way out of demeaning and otherwise untenable marital situations. In any event, Iranian family court disapproves of divorce and assumes that women want to stay in their marriages.
A woman and mother fighting for her rights in court
Dialogue excerpts
Judge: What's your dispute about. Woman: I think he's mad... Judge: So you have no fundamental disagreement? Woman: Your Honor, this gentleman went to the police... and accused me of having a telephone relationship... The officer came to our house... and asked me: “Do you have a relationship with (a man named) Mr. Bakhshi?” I said “yes.” He said “What kind of relationship?” I said “between a niece and her uncle”. The officer was really stunned. He said 'is your husband mad to report such a thing?” I confessed I talked to my uncle.
Husband: 'She goes out without my permission.'
Woman: 'He's lying. In 30 years that I've lived with this gentleman, I've not once left the house without his permission. I've complied with every religious duty in my marriage. This man has made my life hell.'
Judge: 'You can change all this with good behavior.'
Woman: 'It doesn't work. I've been making compromises for 30 years, obeying his wishes, hoping he would trust and appreciate me. He doesn't understand at all. We have a telephone in our house, but I don't have the right to answer it. He says 'when you hear what your rights are in Islam, you really will cry in pain. Your rights are to be fed so you don't starve and to be clothed'.''
Judge: 'You must make yourself attractive so he returns to your marriage. You must tempt him back.'
Woman: 'Why should I? I don't want him at all!'


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